Posts Tagged ‘Hip Hop’
All of you could already convince yourself from the qualities of Bid, here he also participates and the band name is setting the direction: Funk how you like it, with Portuguese singing . To be honest, I don´t know what to write about this release from Brazil, its well made modern funk (which means: some Hip Hop, Soul, Jazz, Rock, Electro influences and so on…), just check out the vid, I am too lazy today to write anymore.
For the last ten years or so, the collective Fanga has been on the up, blending Afrobeat, Jazz and Funk. An alliance of complementary personalities and cosmopolitan energies, Fanga first took form in 1998. Returning from Africa, Serge Amiano brings back a few vinyls of the likes of Fela, CS Crew and CK Mann that he plays to the Burkinabese rapper Korbo. Amiano being a hip-hop producer naturally takes on the role of the group’s artistic director right from the start.
The discovery of this urban African music of the 1970s quickly forms the basis of a shared passion. Fanga brings out its first six tracks in 2001, the group records “Afrokalyptik” in 2003, its first album. The following album “Natural Juice” comes out in 2007, warmly received and with much acclaim. Fanga is not only highly praised by Gilles Peterson but also the New York magazine Wax Poetics.
Despite being firmly rooted in certain Nigerian and Ghanean musical traditions (those of the 1970s’ afro-beat and high-life) Fanga is equally at home to musical concoction, as demonstrated by the samples and other hip-hop and electronic ingredients, not to mention the vocals in Dioula, English and French. The gritty horns and earthy analogue keyboards shape the group’s sound whilst Korbo has no hesitation in embracing his Mandingue roots.
Brought up on the raw energy of hip-hop, the group reposes equally on certain values that even today can only be found in Africa, a sort of candour and instinctive sense of rhythm which lends such freshness to Fanga. This urge to respond when faced with a base emotion, however fleeting, has governed their musical progression since the beginning of the 2000s.
These guys have a bit more grit in their grooves than most, still very much in the best 70s-inspired Afro Funk styles you’d expect, but with a nice edge in some of the rhythmic undercurrents, almost as if their new recordings were actually some lost indie label sets from years back!
Killer gem from Brazil!!
This is a widely unknown, but excellent and charming conglomerate of Hip Hop, electronic music, Funk, Soul and Jazz with the finest Brazilian music traditions like Samba. Eduardo Bidlovski (Bid) is the composer and producer of this 2005 album and he not only has created a bunch of smooth, but never dull songs. Bid also assembled extraordinary guests for “Bambas & Biratas”. Black Rio Soul legend Carlos Daffé opens the record with his warm voice on the catchy tune “não pára”, while Samba Queen Elza Soares later proves she also fits perfectly on relaxed tunes. But this is not a record that tries to gather attentions with Brazilian singer legends, the majority are contemporary artists and Brazil has a rich scene which fuses modern influences with traditional aspects. Rapper Black Alien, whizz kid Chico Science or everybody’s darling Seu Jorge are a few of them and also do participate. All in all 56 musicians were involved in this highly recommend work. Vol. 2 is announced for end of the year.
While music enthusiasts are digging Ethiopian funk and soul of the ’60s and ’70s, some releasing mixes of their germs, David Schommer gathers some musicians in New York with an Ethiopian background and records an awesome fusion of Ethiopian roots and Hip Hop. Schommer is deep into Ethiopian culture and music. With Ethiopian-American Amharic rapper Maki Siraj, Bahia-born percussionist and Stomp cast-member Davi Vieira, cellist Dave Eggar, Ethiopian bassist Henok Tenesgen, and Malian kora-player Balla Tounkara he created a beat-driven trans-atlantic collaboration. With his incredibly clean programming abilities, Schommer created one of the most unique takes on modern Ethiopian music. Hip-hop and soul vocal hooks are scattered throughout, but the overall effect is a caravan of nomadic spirits banging on heavy percussion, penetrative bass loops and catchy harmonies. Innovative stuff that blends African, North-American and a few Brazilian influences. Recommend to check out.
Not many information available about this Jam Band from Tel Aviv, which kindly gives us a hint with their group name. If you like modern Afrobeat-based bands like Antibalas, you can hop on the train, the waggons beside Afrobeat are Funk, Soul, Jazz, diverse Latin styles, Hip Hop and some Mideast influences. Sounds promising? It is!
Anikuku consists of DJ Sabbo, member of the fantastic Soulico crew, who plays a prominet role in the band and which results in a different sound compared to bands like Antibalas; the several times at urbanology featured Kutiman; Yaya Cohen Aharonov (bass) and Shlomi Alon (sax) from the highly recommend hebrew Hip Hop/Funk group Hadag Nahash, as well as Ilan Arad (sax) and Idan K (percussions, dijeridoo).
The first ever Ragga Hip Hop fusion did almost not take place. Asher D just has returned from Jamaica to the UK and wanted to record a Dancehall influenced tune with another MC. But the guy backed out at the last minute and instead the Producer brought in Daddy Freddy as a last minute replacement. Daddy Freddy gained a lot of hits and fame in the 80s Jamaican Dancehall scene, toured the USA and went at the end of the decade to the UK.
“Ragamuffin Hip-Hop” is a sort of coincidence and created 1988 a new style of music that was a fusion of Jamaican ragga and hip-hop. The title track was sampled uncountable times and raised the scale of UK Hip Hop and showed off Jamaica’s Ragga scene to the masses. A rough record with strong beats that keep flowing and lyrics that keep going, which are still able to capture you and still deserve attention.
Never stop delivering that impressive Dancehall material. Don’t stop, do it.
End of the year and everybody presents a best of the past twelve months, oh, or even a best of the decade, 2010 motherfucker and if you wanna be really fresh, grub out some christmas records. All that shitty songs, the torture of christmas in a Soul, Reggae or whatever version, hooow sweeeeeeeet. To be honest, I can´t imagine to get bored more. Instead I continue with some good music and hope that this time of the year will end very soon. Christmas is a bitch.
Vibesman Isiah Stance, his bassist brother Dwayne and the phenomenal drummer Byron Breaks – the legends are back, kickin the Funk to the Jazz. The Stance Brothers are with one foot in the past and the other firmly placed on the kick drum, countless of hours spent jamming at their dusty garage. The trio’s unfaltering will to excel in playing funk-influenced garage jazz comes second only to their passion for shooting hoops at the nearby basketball court.
At least that is the story Teppo “Teddy Rok” Mäkynen tells about The Stance Brothers, the drummer and live band leader of the globe-trotting Five Corners Quintet, the visionary behind the late Teddy Rok Seven, and the producer of such Finnish jazz co-luminaries as Jukka Eskola and Timo Lassy. His idea was to make “the holy grail of beat junkies”, the kind of a record which you would love to sample but which would at the same time sound as a “real” instrumental funk/jazz album from the early 70s. The music positions itself somewhere between funk and instrumental hip hop. Jazz is very much present, but not in the leading role. But this is no retro-funk at all. The breaks are fresh and sound almost as cut-ups (maybe they are), and the grooves are infectious and timeless.
The Stance Brothers’ “Kind Soul”, has all the requisite breakbeat fundamentals: snares that sound like they’re being played in a basketball gym; closely microphoned kick-drums that thump with pleasing tightness; and an extremely minimal sprinkling of hi-hats.
Funk, soul, exotica, early-’70s jazz, and hip-hop all come together in a brew that is as finger-popping and natural as it is savvy.