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Iara Rennó – macunaíma

Posted on: June 4, 2009

iara

Mário de Andrade is one of the most important brasilian writers and poets. His book “Macunaíma” has for sure an outstanding impact on brasilian literature until today and is one of the novels which build up the own brasilian literature which cutted off the dominant european influences. Not coincidental Mário de Andrade was one of the driving forces behind the famous “Semana de Arte Moderna” in São Paulo 1922, which bundled all the uprising brasilian avantgarde artists and presented an brasilian art scene that mirrored the brasilian society with all its african, indigenous and european influences. Sadly from this art movement later a nationalist group splitted off, which wanted to create a “purely Brasilian” form of art (always the same sick idea, create art on a national base…). But the original movement declared that they would “eat” all influences, digest it, and throw out new things – like the brasil society with its indigenous, african, european and asian origins – and don´t want to ignore any influences from Northamerica or Europe.

“Macunaíma” as part of the Brasilian Modernism reflects also the experiences of Mário de Andrade as an Mulatto in the brasilian society at the beginning of the 20th century. A time when politics in Brasil where strongly dominated by white men from the oligarchy, who dreamed of an “white” or “more white” brasilian society and looked with suspicion to the black influences or even ignored them at all. A view on Brasil which also was reflected in the dominant arts, the “Semana de Arte Moderna” was the outburst of a new, more honest view on the brasilian realities, which for sure wasn´t only white-european-based.

But Mario de Andrade also was a pioneer of the field of ethnomusicology. Macunaima, the black protagonist of the same named novel, is on the search for an amulet and travels from the jungles of the North-East to the modern megacity São Paulo. Mário de Andrade processed the oral history of the indigenous people, the folkloristic music of the interior into this novel and confronts the two sides of modern Brasil.

80 years later Iara Rennó, a young musician from São Paulo, decided to to set the novel to music. It is a very obvious idea, with all that ethnomusicologiest influences in it, and it is a wonder why nobody else did it before. But Iara Rennó did it in a wonderful way, mixing the classical folkloristic influences with a modern production and music influences, with deep roots in the most experimental arrangements in the history of MPB (Música Popular Brasileira). The lyrics are all taken from the book and more than 60 musicians took part in the recording sessions. What can you expect? Afrobeat, Dub, brasilian Folk, Trip Hop, slight Hip Hop influences, Psychedelic…. no, you just can´t name this eclectic record with a few genres. Well, better explore this fantastic record on your own.

Dói Dói Dói

PS:
Participação
Tom Zé, Arrigo Barnabé, Dante Ozzetti, Simone Soul, Bocato, Siba, Biu Roque, Mané Roque, Guizadoman, Maurício Alvez, Anelis Assumpção, Funk Buia, Gustavo Souza, Mariá Portugal, Alzira Espíndola, Tetê Espíndola, Sergio Espíndola, Jerry Espíndola, Décio Gioielli, Marcelo Monteiro, Simone Julian, Tiquinho, Amílcar Rodrigues, Andréia Dias, Gustavo Ruiz, Da Lua, Gilmar Bola 8, Toca Ogan, Tom Rocha, Rian Batista, Barbatuques: Marcello Pretto, Dani Zulu, André Hosoi , Mairah Rocha, Flávia Maia, Fernando Barba, Bruno Buarque, João Taubkin, Guello, Dimus Goudaroulis, Zezinho Pitoco, DJ Marco, entre outros…

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