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Botch – an anthology of dead ends

Posted on: February 10, 2009

botch_ananthologyofdeadends

After nine years and two albums, Seattle noisecore pioneers Botch decided to quit in 2002, leaving us with this EP as a parting gift. And it is a fine gift. Although only just over 22 minutes long, “an anthology of dead ends” is full of the angular song structures, unexpected tempo changes, and just plain noise, that made them probably the most consistently exiting band of their type. Botch combines the technicality of metal and the raw ferocity of punk with complex time structures, similar stylistically to bands like Coalesce and Converge. Evil Math Rock! The devastating combination of noise, indie rock guitar, rhythmic density, and scathing vocals is about as subtle as hitting your face with a sledgehammer.

Their final EP topped up everything they stood for in 21 minutes. It showed their abilites to create, minmalistcally (‘Spaim’), how to create noise within acceptable pop boundaries (‘Japam’), create haunting ballands (‘Afghamistam’) and how to top it all off with one huge agressive jam session (‘Micaragua’). And I promise, you can listen thirty times to this record and still will be able to pick up new details.

A special album by a special band who changed the music scene like Refused, At the Drive-In and similar bands, wether you understand it or not is totally up to you.

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1 Response to "Botch – an anthology of dead ends"

amazing blog.
thank you for this!

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